Coffee Prince Number 1 (2007, MBC miniseries)
Coffee Prince Number 1 is probably the most enjoyable Korean TV drama I've watched so far. I loved Ruler of Your Own World, but it was darker, more serious, more dramatic. Coffee Prince is pure fun, and its popularity shows that many Koreans agree with me.
The premise is that Go Eun Chan (Yoon Eun-hye, Palace), by default the head of her family after her father died when she was 16, is often mistaken for a boy. She wears her hair fairly short, dresses ambiguously, knows Tae Kwon Do, does delivery work, and eats like a horse. Choi Han Gyeol (Gong Yoo, One Fine Day), handsome scion of a wealthy family, is being pressured to marry by his imperious grandmother (Kim Young-ok). He hires Eun Chan, whom he takes for male, to pretend to be his gay lover. Behaving outrageously in various hotel lobbies, the two scare off all the women his grandmother sends him.
Grandmother then raises the stakes. If Han Gyeol won't marry or go to work for the family company, he'll have to support himself; she takes away his care and gives him notice of eviction for his expensive rooftop apartment before he agrees to manage Coffee Prince, a rundown coffee shop in a student district, and increase its profits. Eun Chan wheedles him into hiring "him," and before long they find themselves powerfully drawn to each other. His interest in a cute boy understandably disturbs Han Gyeol, who reacts as if he were a closeted gay man: he alternately tries to keep Eun Chan close, and to drive "him" away.
Why is Han Gyeol so reluctant to marry? Several online articles I've seen describe him as a "playboy," but he's never shown dating women. He's in love with Han Yoo Joo (Chae Jeong-an, Emperor From the Sea), a beautiful and brilliant artist who has an on-again, off-again love with Han Gyeol's cousin Han Seong (Lee Seon-gyoon, White Tower), a musician and producer. As the series begins, Yoo Joo has just returned from a long stay in New York, where she was involved professionally and romantically with a man called DK. Now she's back and wants to start over with Han Seong, who (reasonably enough) doesn't quite trust her. But she's not in love with Han Gyeol either. By chance, Go Eun Chan delivers milk to Han Seong's house. She and Han Seong bond over Han Seong's sheepdog Ssulja, and become good friends.
As usual in a series, Coffee Prince includes a constellation of secondary characters, ranging from Eun Chan's feckless mother (Park Won-sook, Tomato) and the wacky butcher, Mr. Goo (Lee Han-wee, Love and Hate), who wants to marry her; and Eun Chan's more glamorous younger sister Eun Sae (Han Ye-in), who wants to be a star. Then there's the Coffee Prince team, assembled like disciples by Han Gyeol and Eun Chan: Han Gyeol's old friend Chin Ha Rim (Kim Dong-wook), who fancies himself a ladies' man but also seems interested in Eun Chan; the hunky but slow Hwang Min Yeop (Lee Eon, who tragically died in a motorcycle accident in 2008), who's in love with Eun Chan's sister and pursues her doggedly despite her best efforts to drive him away; the mysterious Master of Waffles No Jeon Ki (Kim Jae-wook), who keeps muttering in Japanese; and Manager Hong, the slovenly manager of the shop, whom Grandmother keeps on as co-manager to keep Han Gyeol on his toes.
Writers Lee Jeong-ah and Jang Hyeon-joo keep things steaming along entertainingly, and for the most part they keep the comedy in character, without much of the pointless slapstick or asides that disrupt some comedy-dramas. I'm also forever grateful that they never resort to a car or other accident to engender a crisis and permit tearful reconciliations and confessions, as in so many dramas. Some early plot points, like Eun Chan's supersensitive nose for smells, are introduced early on and then forgotten; on first meeting Eun Chan, Ha Rim calls "him" My Chan and exclaims over "his" cuteness, but after a few episodes he's chasing after young women and trying to give Eun Chan advice on handling the babes.
The story doesn't really come together until Han Gyeol and Eun Chan begin to fall in love. Most writers would, I think, have let Han Gyeol know that Eun Chan was a girl after no more than one episode of homosexual panic, but Lee and Jang stretch it over several episodes, and make Han Gyeol's anxiety wholly convincing. He sees a clueless old doctor, who gives him medicine to cure him of his tendencies. "You're gay, right?" he asks Eun Chan. "But I'm not. So stop seducing me."
"Who called me over in the middle of the night?" she points out.
"Let's be sworn brothers," he tells her. She refuses his evasion at first, then gives in. In voice over, each then tells us that even if it only means being a brother, he won't have to leave the other's side. But still Han Gyeol runs hot and cold, firing Eun Chan and then running to get "him" back. (One beautiful bit: Han Gyeol tells Eun Chan a major family secret. Sitting behind him, where he can't see her, she stretches out her hands and mimes embracing him, comforting him, because she doesn't dare to touch him. Yoon puts immense longing into that gesture.)
As more and more of the other characters are let in on the secret of Eun Chan's real sex, the tension builds. It's helped a lot by the wonderful chemistry between the leads, who are wholly convincing as new lovers delighted with each other. Gong Yoo resembles a younger Ju Jin-mo (Musa, Happy Ending), and he actually seems to grow up during the series, from a pretty but shallow young man to a strong but gentle adult. There's one lovely scene where Han Gyeol visits his grandmother, who's seriously ill and looks it. They bicker pleasurably, and I realized that Eun Chan is a younger version of Granny. Then Han Gyeol climbs into her bed and pillows her head on his arm, saying that no man had done that since Grandfather.
Yoon Eun-hye has a hard job. Typically in cross-dressing roles, the deception is not allowed to be too convincing: the audience is not allowed to succumb to the illusion that the actor or actress could pass for the other sex. Nor will be a performer be hired who looks the part too well. Yoon Eun-hye says she studied men's movements and body language, but maybe the director toned her down. She never quite persuaded me that women would chase her out of a women's sauna when she tried to make a good delivery, but she does have an androgynous charm and earnestness that makes her lovable. And after her femme makeover in episode 5, Go Eun Chan looks like a drag queen. She actually looks more like a boy when she's wearing a dress and full makeup than she does in trousers and t-shirt.
It doesn't really matter, though, because Coffee Prince Number One is a romantic fantasy, not a realistic story. It works very well on that level. Best of all, from my point of view, is that the story has no villain, and even the most foolish characters aren't clowns but believable people with reasons for their folly. The characters vary somewhat in their likability, but all are good at heart, even the unreliable Yoo Joo. As the literary critic Marvin Mudrick once said, nothing in life or literature is more interesting and exciting than goodness. (Review by Duncan Mitchel)
Coffee Prince Number 1 ("Keopi Peurinseu 1-hojeom"). Alternate title: "Coffee Prince's Flagship Store." 18 episodes. Written by Lee Jung Ah & Jang Hyun Joo. Produced by Lee Yoon Jung. Starring Yoon Eun-hye, Gong Yoo, Lee Sun-kyoon, Chae jung-an, Kim Chang-wan, Kim Dong-wook, Kim Jae-wook, Lee Eon. First aired on MBC in Korea from July 2 - August 28, 2007 on Monday and Tuesday nights at 9:55pm. Official website (in Korean):
click here. Episodes can be downloaded for a fee
here.
